Atukwei Okai’s biography, fact, career, awards, net worth and life story

Intro Ghanaian poet, cultural activist and academic
Is Writer
Children’s writer
From Ghana
Type Academia
Gender male

1 January 1941, Accra, Greater Accra Region, Ghana

Age 80 years

Atukwei (John) Okai (born 1941) is a Ghanaian poet, cultural activist and academic. He is Secretary-General of the Pan African Writers’ Association, and former president of the Ghana Association of Writers. His early work was published under the name John Okai. With his poems rooted in the oral tradition, he is generally acknowledged to be the first real performance poets to emerge from Africa, and his work has been called “also politically radical and socially conscious, one of his great concerns being Pan-Africanism”. His performances on radio and television worldwide include an acclaimed 1975 appearance at Poetry International at Queen Elizabeth Hall in London, where he shared the stage with US poets Stanley Kunitz and Robert Lowell, and Nicolas Guillen of Cuba.

Early life and education

Atukwei Okai was born in Accra, Ghana, and from the age of three for eight years lived in the country’s Northern Region, where his father (Ga by birth) was a school headmaster in Gambaga. Okai was educated at the Gambaga Native Authority School, Nalerigu Middle Boys’ School, and then at Methodist Middle Boys’ School in Accra and Accra High School.

Further education

In 1961, he went on a scholarship from the government of President Kwame Nkrumah to Moscow, where he earned his M.A. (Litt.) from the Gorky Literary Institute in 1967. Nkrumah had meanwhile been overthrown in a coup in 1966, and when Okai returned home the following year, he and other Ghanaian students who had studied in the Soviet Union were not welcomed by the new regime and had difficulty finding employment. He recalls: “It was a most despondent time of my life…. I was already a writer and broadcaster of some note before I went to the Soviet Union. It galled greatly that those of us that went to study in the former Eastern Bloc were tarred by the general suspicion attached to socialism in those days. We were not politicians and we did not get our scholarships on our political affiliations. We were young Ghanaians with passion to help build the country.” He nevertheless honoured invitations from schools and colleges, such as Wesley Girls’ High School, and Adisadel College in Cape Coast, and Achimota Secondary School, to give performances of his work, which had a memorable impact on the young students.

Okai subsequently took up a post-graduate scholarship from the University of Ghana to pursue studies in the UK, earning his Master of Philosophy (M.Phil) degree in 1971 from the School of Slavonic and East European Studies in London, which is today part of University College London.

He began teaching at the University of Ghana, Legon, in 1971 as lecturer in Russian literature at the Department of Modern Languages, and in 1984 became Senior Research Fellow in African Literature at the Institute of African Studies. He also was a head of the GaDangbe department of Education at the University of Education, Winneba, Ghana.

In 1989 he was elected the first Secretary-General of the Pan African Writers’ Association (PAWA), which position he still holds; his pioneering role at PAWA was recognized by the Entertainment Critics and Reviewers Association of Ghana (ECRAG), who in 1991 presented him with their highest award, the Flagstar, the first time that this award has gone to a writer.

Personal life

Atukwei Okai and his wife Beatrice have five daughters.


When the Ghana Society of Writers (precursor to the current Ghana Association of Writers) was founded in 1957, Okai became its youngest member, aged 16, while he was still at Accra High School. As he has recalled:

“It was quite an exciting time in my life. Imagine as a young boy being surrounded with so many books, and to be in the company of literary giants like Michael Dei-Anang, J. H. Kwabena Nketia, Efua Sutherland, the late Kofi Awoonor, Crakye Denteh, Kwesi Brew, Geombeeyi Adali-Mortty, Cameron Duodu and many others…. A special mentor was the principal of my Accra High school, William Conton, author of the novel, The African. He introduced me to Mr. Moses Danquah, the Editor of a new magazine that was yet to appear, The Ghanaian Magazine. My poems thus began to appear on its pages…. Another kind mentor was Madam Dorothy Padmore, the wife of Mr. George Padmore, whom I visited in their home. On some evenings, I would sit by her under the skies as she critiqued some of my published poems while her husband, Dr Kwame Nkrumah’s famous friend and colleague, sat by reading foreign newspapers”

After for some years of his poetry being published in newspapers and magazines, as well as read on Henry Swanzy’s Ghana Radio programme The Singing Net, Okai’s first major collection, The Oath of the Fontonfrom and Other Poems, was published in 1971 by Simon & Schuster in New York. it was followed in 1974 by Logorligi Logarithms, which “juxtaposes the Ga and English words for the same mathematical concept, thus indicating Okai’s parallel traditional and modern consciousness as a poet.”

He has also written three books of “verses and chants” for children.

His poems have been translated into several languages (including Russian, Spanish, German, Arabic, French, Italian) and have appeared widely in anthologies including The Penguin Book of Modern African Poetry and prominent international journals such as The Atlantic Monthly, New African, Black World, Literary Cavalcade and New American Review.

The musicality of his poetry has been attributed to influences dating back to his early years in the ambience of North Ghana, which is rich in music-dominated idioms, and he has performed his work widely on radio, television and to live audiences. Professor Femi Osofisan of Nigeria has stated that “Okai was the first to try to take African poetry back to one of its primal origins, in percussion, by deliberately violating the syntax and lexicon of English, creating his own rhythms through startling phonetic innovations.”

Selected bibliography

  • Flowerfall. London: Writers’ Forum. London, 1969
  • Oath of the Fontonfrom and Other Poems. New York: Simon & Schuster, 1971
  • Lorgorligi: Logarithms and Other Poems. Ghana Publishing Corporation, 1974
  • Freedom Symphony: Selected and New Love Poems. Ghana Publishing Company, 2008
  • Mandela the Spear and Other Poems. Johannesburg: African Perspectives, 2013; ISBN 9780992187514

For children

  • The Anthill In the Sea: Verses and chants for children. Ghana Publishing Corporation, 1988
  • A Slim Queen In A Palanquin
  • A Pawpaw On A Mango Tree

Awards and honours

In 1968 Atukwei Okai was made a Fellow of the Royal Society of Arts (UK) and in 1979 was awarded an Honorary Fellowship in the International Writing Program of the University of Iowa in the US. In 1981 he was elected to Honorary Membership of the National Syndicate of Spanish Writers and to Associate Membership of the Association of Nigerian Authors (ANA). The Ghana Book Award (1979) was accorded to him “in recognition of his signal contribution to the development of national literature”.

Other national and international awards include:

  • 1979: Iqbal Centenary Commemorative Gold Medal by the government of Pakistan, “in appreciation of valuable contribution to the Birth Centenary Celebrations Seminar on Allama Dr. Mohammed Iqbal, the national poet of Pakistan”
  • 1980: International Lotus Prize (and Gold Medal) by the Afro-Asian Writers’ Association
  • 1986: C. Marconi Gold Medal by the National Council for Research of Italy
  • 1991: ECRAG (Entertainment Critics and Reviewers Association of Ghana) Flagstar award
  • 1993: Ushio Publication Culture Award of Japan
  • 1998: the University of Ghana Golden Jubilee Distinguished Scholarly Award acknowledged “his outstanding contribution to the development of African poetry”

In June 2007, the national award of Member of the Order of the Volta was conferred on Prof. Atukwei Okai.

In February 2015, he was among distinguished personalities honoured by the Accra Metropolitan Assembly (AMA).